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Opening Friday 13 June, 5.30-7.30pm at Substrate Gallery13-15 Devon Street, Ngāmotu New Plymouth
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14 Feb – 28 Feb 2025 Hang Out the Washing, Viva La Revolución (2022)oil on car bonnet1145 x 1345 It was all fields (2012)oil and eggshell on car bonnet1420 x 1300mm This day is immeasurably fine (2023)oil on tin can240 x 240 x 93mm Woody night shade (2023)oil on baking tin240 x 240 x 79mm
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Group show at Percy Thomson Gallery, Stratford Whakaahurungi 7 Feb – 16 March 2025 The evocative term Morgan’s Orchard comes from the card game Cribbage and refers to a hand of two pairs. I’ve used this as an analogy for how the body and soul connection feels. Morgan’s Orchard began as an accidental finding of
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6 Jul-10 NovOpening night – Fri 5 Jul 5.30-7.30pm Puke Ariki, Ngāmotu New Plymouth Below is my submission for the 2024 Home Work group exhibition, Hang Out the Washing, Viva La Revolución (2022) Hang Out the Washing, Viva La Revolución (2022)oil on car bonnet1145 x 1345
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This body of paintings speaks to the pressures of being human, playful depictions of the subconcious responding to social/economic/politic stuff
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Group exhibition curated by CAS Gallery Taranaki Percy Thomson Gallery, Whakaahurangi Stratford27 May – 21 July 2022 Group exhibition, featuring artwork by: Peter MaddenSeung Yul OhGarth SteeperTia RanginuiRohan WealleansKirk NichollsKayla AdamsSam DollimoreDavid Le FlemingMary MacGregor-ReidLeben Young Māui Fireguard is part of Le Fleming’s recent explorations in mythology in which he makes images of reverence and reflection
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Seven Queens of the Feather is a series of oil paintings by Taranaki-based artist David Le Fleming. Le Fleming often paints on reclaimed objects. Surfaces in this series include a brass firescreen, ornamental copper plates and a vintage Jaguar car bonnet. A twist on past work involving large-scale human portraits, Seven Queens of the Feather
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ORIGINAL MYTH – SERIES 1 22 Feb – 24 March 2019Potocki PatersonLevel 1, 41-47 Dixon Street, Wellington, New Zealand Each of David Le Fleming’s paintings in this series forges a new god for today’s startling new political, environmental and social landscape. These animal, humanoid and nebulous forms rule relatable concepts and concerns with rich symbolic
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Zero-waste art depicts unsung heroes Using reclaimed surfaces like car bonnets, waste packaging and filing cabinet shelves, Le Fleming has painted large-scale, detailed portraits of people known to the artist who he considers to be stand up humans. The title piece, Polycycle Sigil, a bicapitated (two-headed) lion painted on a 1958-61 Singer Gazelle bonnet, draws
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David Le Fleming 